When was thoreau alive
Though it prevents my hoeing them, it is of far more worth than my hoeing. In nature we have access to real value, which can be used as a standard against which to measure our conventional evaluations. There are reasons for classifying Thoreau as both a naturalist and a romantic, although both of these categories are perhaps too broad to be very helpful. His conception of nature is informed by a syncretic appropriation of Greek, Roman, Indian, and other sources, and the result is an eclectic vision that is uniquely his own.
For this reason it is difficult to situate Thoreau within the history of modern philosophy, but one plausible way of doing so would be to describe him as articulating a version of transcendental idealism. This exercise may enable one to create remarkably minute descriptions of a sunset, a battle between red and black ants, or the shapes taken by thawing clay on a sand bank: but its primary value lies in the way it affects the quality of our experience.
Awareness cannot be classified as exclusively a moral or an intellectual virtue, either, since knowing is an inescapably practical and evaluative activity—not to mention, an embodied practice. In order to attain a clear and truthful view of things, we must refine all the faculties of our embodied consciousness, and become emotionally attuned to all the concrete features of the place in which we are located. In this way, Thoreau outlines an epistemological task that will occupy him for the rest of his life; namely, to cultivate a way of attending to things that will allow them to be experienced as elements of a meaningful world.
Since our ability to appreciate the significance of phenomena is so easily dulled, it requires a certain discipline in order to become and remain a reliable knower of the world. Beauty, like color, does not lie only in the eye of the beholder: flowers, for example, are indeed beautiful and brightly colored.
This does not mean that we are trapped inside of our own consciousness; rather, the point is that it is only through the lens of our own subjectivity that we have access to the external world. What we are able to perceive, then, depends not only upon where we are physically situated: it is also contingent upon who we are and what we value, or how our attention is focused. Your observation, to be interesting, i. Subjectivity is not an obstacle to truth, according to Thoreau. A true account of the world must do justice to all the familiar properties of objects that the human mind is capable of perceiving.
Whether this could be done by a scientific description is a vexing question for Thoreau, and one about which he shows considerable ambivalence. We can easily fail to perceive the value of being if we do not approach the world with the appropriate kind of emotional comportment.
He observes that scientific terminology can provide the means of apprehending something that we had utterly missed until we had a name for it see Walls , Yet he also gives voice to the fear that by weighing and measuring things and collecting quantitative data he may actually be narrowing his vision. Overall, his position is not that a mystical or imaginative awareness of the world is incompatible with knowledge of measurable facts, but that an exclusive focus on the latter would blind us to whatever aspects of reality fall outside the scope of our measurement.
By acknowledging the limits of what we can know with certainty, we open ourselves up to a wider horizon of experience. Truth is radically perspective-dependent, which means that insofar as we are different people we can only be expected to perceive different worlds Walls , It is an admirable goal, and one that remains quite relevant in the philosophical climate of the present day.
Hence, we need to cherish and nurture our capability to discern the difference between the idea and the reality, between what is and what ought to be. It is when we experience dissatisfaction with ourselves or with external circumstances that we are stimulated to act in the interest of making things better. It follows that the greatest compliment we can pay to another person is to say that he or she enhances our life by inciting us to realize our highest aspirations.
In his ethical writings, the notion of wishing good on behalf of another person is often taken to a severe extreme, as if he does not think it possible to ask too much of love and friendship. It is, for example, his understanding of wild nature that informs his sociopolitical ideas. As was noted above, nature is a point of reference outside the polis which can provide valuable moral guidance, reminding us that society is not the measure of all things.
Withdrawing into the natural world allows us to view the state in a broader context and to conceive of ways in which social values and political structures could be improved radically.
This includes unjust laws that ought to be reformed, about which more will be said in a moment, as well as the unwritten rules embodied in prevailing expectations about how one ought to live and what matters. In denouncing a specific pernicious attitude that is widespread among his contemporaries, Thoreau also seeks to identify and analyze the general tendency it exemplifies to defer to public opinion: for this reason, his project of social critique is not only relevant to his parochial context but has universal implications.
He is acutely conscious of the threat that shared modes of discourse can pose to authentic intersubjectivity. It matters not where or how far you travel,—the farther commonly the worse,—but how much alive you are. Journal 6 The duality between objective and subjective observation has important implications for education.
First, it means that education is not based on the model of a phlegmatic observer who is separate from that which is being observed; instead, observation and learning emerge from a life lived with intensity and subjective concerns. Thoreau offers a type of education that should aspire to a level of wildness or should be a little uncivilized. Not only is education stultifying for students who are forced to take part in rote learning, but pedantic teachers also cultivate a way of engaging life and studies that is constraining.
When I go abroad from under this shingle or slate roof—I find several things which they have not considered—their conclusions seem imperfect. It is beyond the bookish space of the scholar that he finds things that undo their arguments; they have come to the wrong conclusions; their encyclopedic knowledge is unsound. To be an educator, a student, or a scholar means more than understanding the common sense of other writers; true education and learning exceed the encyclopedic knowledge of a community.
Sitting in the same room or at the same desk day after day is an ineffective way to cultivate knowledge. We boast that we belong to the nineteenth century and are making the most rapid strides of any nation. But consider how little this village does for its own culture. We need to be provoked,—goaded like oxen, as we are, into a trot. We have a comparatively decent system of common schools, schools for infants only. It is time that we had uncommon schools, that we did not leave off our education when we begin to be men and women.
It is time that villages were universities, and their elder inhabitants the fellows of universities, with leisure—if they are indeed so well off—to pursue liberal studies the rest of their lives. Walden In this passage, which is as much a criticism of local and state practices as much as a comment on education, Thoreau advocates a communal emphasis and pride of place for education and schools.
It is not enough to educate people for part of their lives; instead, education should be a continuous process throughout our lives. Against simple factual acquisition, early childhood education only, the devaluation of the schools, and a lack of funding, Thoreau paints a picture of education that is freeing, dynamic, done in shifting contexts, and invaluable to the health of society.
Education should prepare us for engaging life in fresh ways and experiencing the flux that constitutes all existence. In fact, he came to understand quite well how diverse and complex the natural world is. It is accurate to say that he saw the beauty of nature and its life-giving potential, and this led him to reimagine who the human being is.
Instead of ignoring the natural world, Thoreau wants to honor its importance, but he makes it clear that it is through nature and in nature that humanity is more than it is in civil society. In other words, society constructs a reductive image of humans as outside of nature and separate from it, but this is a dehumanizing process, as being fully human is realizing how we are part of the natural environment everywhere surrounding, embracing, penetrating, and integrating us.
This does not mean, however, that the natural world takes notice of humanity. The sea-shore is a sort of neutral ground, a most advantageous point from which to contemplate this world. The waves forever rolling to the land are too far-travelled and untamable to be familiar. It is a wild, rank place, and there is no flattery in it. Strewn with crabs, horse-shoes, and razor-clams, and whatever the sea casts up,—a vast morgue , where famished dogs may range in packs, and crows come daily to glean the pittance which the tide leaves them.
The carcasses of men and beasts together lie stately up upon its shelf, rotting and bleaching in the sun and waves, and each tide turns them in their beds and tucks fresh sand under them. There is naked Nature,—inhumanly sincere, wasting no thought on man, nibbling at the cliffy shore where gulls wheel amid the spray.
The ocean can be beautiful, but here Thoreau describes the very inhumane sincerity that gives the ocean its character. As much as the water supports a lively world below its surface, it harbors within it dead, decaying bodies that find little rest among the nonstop agitations and undulations of the waves. While the popular perception of Thoreau can focus on his desire to preserve nature, its beauty, and its inspiring qualities, Thoreau does not ignore the potential danger that constitutes a great portion of nature.
The ocean could carry commerce and people from continent to continent, but it could also toss boats around, sink them, and drown their passengers. Thoreau, therefore, was not blind to the immense power and dangers of nature, and he knew well the fear this could generate. Ktaadn, which stands 5, feet high and is located almost in the center of Maine.
Thoreau was not ready for the feeling of dislocation he would be subjected to as he crossed a rugged, lightning-charred portion of the mountain; being outside of commonly-encountered surroundings and traversing the harsh portion of Ktaadn, Thoreau explains,. Perhaps I most fully realized that this was primeval, untamed, and forever untameable Nature , or whatever else men call it, while coming down this part of the mountain.
We were passing over Burnt Lands, burnt by lightning. It is difficult to conceive of a region uninhabited by man. We habitually presume his presence and influence everywhere. And yet we have not seen pure Nature, unless we have seen her thus vast, and drear, and inhuman, though in the midst of cities.
Nature was here something savage and awful, though beautiful. I stand in awe of my body, this matter to which I am bound has become so strange to me.
I fear not spirits, ghosts, of which I am one,— that my body might,—but I fear bodies, I tremble to meet them. What is this Titan that has possession of me. Talk of mysteries! The solid earth! The actual world! The common sense! Who are we? Where are we? Here Thoreau becomes dispossessed of the familiarity he has felt in nature; the starkness of the landscape and the raw materiality of the mountain thrust his own materiality into question, which generates a desire for material contact.
He moves from the land that is inhuman to his need for contact; he has encountered a part of nature that does not make him feel at home, but has reduced him to feeling less than himself, or other than himself.
Nature is complex and without a consistent fond engagement with human life. From his earliest journal entries to his last years of journaling, the focus on water is prevalent. This emphasis is most evident in the final years of his life when he logged detailed data in his journals concerning the variations of water levels of the Concord River throughout the seasons.
Similarly, the two books published during his life, A Week and Walden , are based on the importance of a source of water for the setting; in A Week , the setting is the Concord and Merrimack rivers, and in Walden , it is Walden Pond. In his two posthumously published books, The Maine Woods and Cape Cod , Thoreau is dependent on water, as it is inseparable from the overall progression of his writings; in The Maine Woods , for example, Thoreau travels by water from the Penobscot River and Chamberlain Lake to Moosehead Lake, and Cape Cod remains largely focused on the Atlantic Ocean and its impact on Cape Cod and its inhabitants.
Sherman Paul makes this clear in his book on Thoreau; he addresses the deep spiritual and ontological significance of water for Thoreau. The river had become the way of communion with the eternal.
They are the constant lure, when they flow by our doors, to distant enterprise and adventure, and, by a natural impulse, the dwellers of their banks will at length accompany their currents to the lowlands of the globe, or explore at their invitation the interior of continents. They are the natural highways of all nations. Human life and water are inseparable; water sustains life, travel, and the imagination.
Thoreau uses water for more than his settings, however, as he constructs his ontology on the flowing nature of water and the belief that change is a constant part of existence. Thoreau is comfortable with how all aspects of the world are changing; he made this discovery toward the end of his boating voyage with his brother, as he describes the flowing nature of all existence:. The hardest material seemed to obey the same law with the most fluid, and so indeed in the long run it does.
Trees were but rivers of sap and woody fibre, flowing from the atmosphere, and emptying into the earth by their trunks, as their roots flowed upward to the surface. And in the heavens there were rivers of stars, and milky-ways, already beginning to gleam and ripple over our heads. There were rivers of rock on the surface of the earth, and rivers of ore in its bowels, and our thoughts flowed and circulated, and this portion of time was but the current of the hour. Instead of allowing readers to think that returning to land would be the halting point for encountering flows, Thoreau honors the changes going on below our feet and all around us.
Instead of stability, there is flux everywhere, and this challenges our desires for permanence. Few phenomena gave me more delight than to observe the forms which thawing sand and clay assume in flowing down the sides of a deep cut on the railroad through which I passed on my way to the village, a phenomenon not very common on so large a scale.
When the frost comes out in the spring, and even in a thawing day in the winter, the sand begins to flow down the slopes like lava, sometimes bursting out through the snow and overflowing it where no sand was to be seen before.
I am affected as if in a peculiar sense I stood in the laboratory of the Artists who made the world and me,—had come to where he was still at work. I feel as if I were nearer to the vitals of the globe. What is man but a mass of thawing clay? Thus it seemed that this one hillside illustrated the principle of all the operations of Nature. It convinces me that Earth is still in her swaddling clothes, and stretches forth babe fingers on every side.
This thawing, which is taking place around the railroad tracks, is a small portion of what is occurring on a larger scale. The flow of the sand and clay reminds Thoreau of the flowing taking place within the human body, and it convinces him that Earth is still in a process of changing and maturing. It is philosophically incorrect to emphasize permanence or stagnation over change. Societal structures like to keep things orderly, and societies like to categorize aspects of the world and rank them according to which aspects are extremely valuable compared to those things that are insignificant.
He links this with domestication, taming, and scripted hospitality. In society you will not find health, but in nature. Unless our feet at least stood in the midst of nature, all our faces would be pale and livid. Society is always diseased, and the best is the most so. There is no scent in it so wholesome as that of the pines, nor any fragrance so penetrating and restorative as the life-everlasting in high pastures. The doctrines of despair, of spiritual or political tyranny or servitude, were never taught by such as shared the serenity of nature.
Excursions 5. Despite the potential dangers found in the natural world, there is a rejuvenating element that restores the person to health and maintains a more agreeable perspective on life. To be trapped indoors and in the grips of customs and habits is anathema to Thoreau; he sought the healthy, resilient fluctuations of the natural world until he was bedridden in the last days of his life because of tuberculosis. The wildness of creation always called to him. Thoreau has been quite influential in environmentalist circles.
His unwavering respect for the natural world and its processes is part of a lineage of ecological concern in the United States. Beyond his emphasis on the scientific and aesthetic sides of the natural world, however, Thoreau also honored the religious or spiritual dimensions of the environment.
He did so with a pluralistic penchant that allowed him to remain open to religious insights across traditions, such as Buddhism, Hinduism, and Native American teachings. Albanese and Bron Taylor, respectively. Indeed, both Thoreau and these progeny have assumed iconic status within the pantheon of saints favored among those who participate in contemporary nature religion. He found conservative and liberal Christianities to be irreligious; instead of honoring creation, they profaned it.
In the end, he was uncomfortable with dogmatic certainty. Most people with whom I talk, men and women even of some originality and genius, have their scheme of the universe all cut and dried,—very dry , I assure you, to hear, dry enough to burn, dry-rotted and powder-post, methinks,—which they set up between you and them in the shortest intercourse; an ancient and tottering frame with all its boards blown off. Some to me seemingly very unimportant and unsubstantial things and relations, are for them everlastingly settled,—as Father, Son, and Holy Ghost, and the like.
These are like the everlasting hills to them. But in all my wanderings, I never came across that least vestige of authority for these things. They have not left so distinct a trace as the delicate flower of a remote geological period on the coal in my grate. The wisest man preaches no doctrines; he has no scheme; he sees no rafter, not even a cobweb, against the heavens. It is clear sky. Here Thoreau offers disparaging comments against such religious doctrines as the Trinity; instead of turning to the Bible for the veracity of such doctrines, Thoreau turns to his experiences within the natural world.
As he sauntered in the natural world in Massachusetts and beyond, Thoreau found nothing to justify the Trinity and other outlooks that others believed to be accurate understandings of Earth and the universe. Quite the contrary was true; instead of opening up the complexity of the universe and life, such doctrines actually exclude the richness of life and creation.
Instead of allowing for intimate encounters, religious and nonreligious dogmas actually prevent more authentic relationships from growing. Is not Nature, rightly read, that of which she is commonly taken to be the symbol?
He felt that this new approach helped him avoid the misery he saw around him. His schedule gave him plenty of time to devote to his philosophical and literary interests. The book drew from a boating trip he took with his brother John in Thoreau eventually started writing about his Walden Pond experiment as well. Many were curious about his revolutionary lifestyle, and this interest provided the creative spark for a collection of essays.
Published in , Walden; or, Life in the Woods espoused living a life close to nature. The book was a modest success, but it wasn't until much later that the book reached a larger audience. Over the years, Walden has inspired and informed the work of naturalists, environmentalists and writers. While living at Walden Pond, Thoreau also had an encounter with the law. He spent a night in jail after refusing to pay a poll tax.
This experience led him to write one of his best-known and most influential essays, "Civil Disobedience" also known as "Resistance to Civil Government". Thoreau held deeply felt political views, opposing slavery and the Mexican-American War. He made a strong case for acting on one's individual conscience and not blindly following laws and government policy.
Since its publication in , "Civil Disobedience" has inspired many leaders of protest movements around the world. This non-violent approach to political and social resistance has influenced American civil rights movement activist Martin Luther King Jr. After leaving Walden Pond, Thoreau spent some time looking after Emerson's house while he was on tour in England. Still fascinated with nature, Thoreau wrote down his observations on plant and wildlife in his native Concord and on his journeys.
He visited the woods of Maine and the shoreline of Cape Cod several times. Thoreau also remained a devoted abolitionist until the end of his life. The two brothers worked well together and vacationed together during holidays. In September , they spent a memorable week together on a boating trip up the Concord and Merrimack rivers to Mount Washington in New Hampshire.
About the same time both brothers became romantically interested in Ellen Sewall, a frequent visitor to Concord from Cape Cod. In the fall of the next year, both brothers — first John and then Henry — proposed marriage to her. But because of her father's objections to the Thoreaus' liberal religious views, Ellen rejected both proposals. When John endured a lengthy illness in , the school became too much for Henry to handle alone, so he closed it.
He returned to work in the pencil factory but was soon invited to work as a live-in handyman in the home of his mentor, neighbor, and friend, Ralph Waldo Emerson. Emerson was by then already one of the most famous American philosophers and men of letters.
Transcendentalism was an American version of Romantic Idealism, a dualistic Neoplatonic view of the world divided into the material and the spiritual. For Emerson, "Mind is the only reality, of which all other natures are better or worse reflectors. Nature, literature, history, are only subjective phenomena.
Thoreau must have imbibed Transcendentalism through almost every pore during his two years living with Emerson, though he would modify it to suit his own temperament by granting nature more reality than Emerson did. During his stay with Emerson, Thoreau developed ambitions of becoming a writer and got help from Emerson in getting some poems and essays published in the Transcendental journal, The Dial.
But life in his parents' home held problems for the budding writer. Work in the pencil factory was tedious and tiring, and, since his mother took in boarders, there was little quiet or privacy in the house.
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